We the People
Choreographed by Jamar Roberts
Martha Graham Dance Company, April 2024
"In all denim separates (by Karen Young) and inky fields striated by cross-stage lighting (Yi-Chung Chen), the 12 dancers seemed fueled by passion, whether stemming from anger or protest."
Susan Yung -Ephemeralist
Click here to see the article
Martha Graham Dance Company, April 2024
"In all denim separates (by Karen Young) and inky fields striated by cross-stage lighting (Yi-Chung Chen), the 12 dancers seemed fueled by passion, whether stemming from anger or protest."
Susan Yung -Ephemeralist
Click here to see the article
Me, Myself and You
Choreographed by Elizabeth Roxas-Dobrish
Alvin Ailey American Dance Theater, December 2023
"I was not surprised when the woman (Alisha Rena Peek) begins with some very emotive gestures, her long silver robe shining under Yi-Chung Chen’s dreamy lighting."
Caedra Scott-Flaherty - Observer
Click here to see the article
Alvin Ailey American Dance Theater, December 2023
"I was not surprised when the woman (Alisha Rena Peek) begins with some very emotive gestures, her long silver robe shining under Yi-Chung Chen’s dreamy lighting."
Caedra Scott-Flaherty - Observer
Click here to see the article
Cortege 2023
Choreographed by Baye & Asa
Martha Graham Dance Company, April 2023
"Comprised of a fluidly morphing parade of violent, phantasmagorical stage pictures (think Goya), the work also features gothic, noirish lighting (kudos to designer Yi-Chung Chen) and a relentlessly menacing score by Aidan Elias."
Adrian Dimanlig - Interludes
Click here to see the article
Martha Graham Dance Company, April 2023
"Comprised of a fluidly morphing parade of violent, phantasmagorical stage pictures (think Goya), the work also features gothic, noirish lighting (kudos to designer Yi-Chung Chen) and a relentlessly menacing score by Aidan Elias."
Adrian Dimanlig - Interludes
Click here to see the article
Canticle for Innocent Comedians
(Lead) Choreographed by Sonya Tayeh
Martha Graham Dance Company, April 2022
"And although I failed to reference them a year ago, the costumes (by Karen Young) are appropriately stellar – as well as gorgeous, and the lighting (by Yi-Chung Chen) lent the piece an appropriately celestial ambiance."
Jerry Hochman - CriticalDance
Click here to see the article
Martha Graham Dance Company, April 2022
"And although I failed to reference them a year ago, the costumes (by Karen Young) are appropriately stellar – as well as gorgeous, and the lighting (by Yi-Chung Chen) lent the piece an appropriately celestial ambiance."
Jerry Hochman - CriticalDance
Click here to see the article
CAVE
Choreographed by Hofesh Shechter
Martha Graham Dance Company, April 2022
"Yi-Chung Chen's lighting added to the work's dramatic feeling of anticipation and ecstatic release."
Sheila Regan - StarTribune
Click here to see the article
"A dozen dancers in costume designer Caleb Krieg’s ragtag club couture, in tandem with shadowy lighting designs by Yi-Chung Chen, catch Shechter’s sculptural silhouettes in motion that gives way to convulsive aerials and feral expressionism."
Lewis J Whittington - The Dance Journal
Click here to see the article
Martha Graham Dance Company, April 2022
"Yi-Chung Chen's lighting added to the work's dramatic feeling of anticipation and ecstatic release."
Sheila Regan - StarTribune
Click here to see the article
"A dozen dancers in costume designer Caleb Krieg’s ragtag club couture, in tandem with shadowy lighting designs by Yi-Chung Chen, catch Shechter’s sculptural silhouettes in motion that gives way to convulsive aerials and feral expressionism."
Lewis J Whittington - The Dance Journal
Click here to see the article
The Auditions
Choreographed by Troy Schumacher. Composed by Augusta Read Thomas
Martha Graham Dance Company, November 2019
"The work begins in a murky netherworld (lighting by Yi-Chung Chen), in which an angelic figure, a woman dressed in a gauzy, cloud-like garment (designs by Karen Young) stands in arabesque."
Marina Harss - DanceTabs
Click here to see the article
"... glowing in contrast to lighting designer Yi-Chung Chen’s softly aquamarine-lit cyclorama backdrop."
Elaine Molinaro - Montclair Local
Click here to see the article
"Effective lighting by Yi-Chung Chen, costumes by Karen Young, and nice articulation by the omnipresent musicians of the International Contemporary Ensemble made the story so effective that an engrossed toddler processed every point out loud—something I thought was wonderful, and proof of solid construction."
Lana Norris - National Sawdust
Click here to see the article
Martha Graham Dance Company, November 2019
"The work begins in a murky netherworld (lighting by Yi-Chung Chen), in which an angelic figure, a woman dressed in a gauzy, cloud-like garment (designs by Karen Young) stands in arabesque."
Marina Harss - DanceTabs
Click here to see the article
"... glowing in contrast to lighting designer Yi-Chung Chen’s softly aquamarine-lit cyclorama backdrop."
Elaine Molinaro - Montclair Local
Click here to see the article
"Effective lighting by Yi-Chung Chen, costumes by Karen Young, and nice articulation by the omnipresent musicians of the International Contemporary Ensemble made the story so effective that an engrossed toddler processed every point out loud—something I thought was wonderful, and proof of solid construction."
Lana Norris - National Sawdust
Click here to see the article
The Virtuous Fall of The Girls From Our Lady of Sorrows
Spicy Witch Productions, May 2019
"Further highlighted by the rockstar tumultuous lighting design of Yi-Chung Chen..."
Natalie Rine - Onstage Blog
Click here to see the article
"Further highlighted by the rockstar tumultuous lighting design of Yi-Chung Chen..."
Natalie Rine - Onstage Blog
Click here to see the article
DEO
Choreographed by Maxine Doyle and Bobbi Jene Smith
Martha Graham Dance Company, April 2019
"Lights flash on and off, showcasing the women in a change of mood, motion, and motif... Karen Young's costumes and Yi-Chung Chen's lighting were exquisite."
Dr. Roberta E. Zlokower - Roberta on the Arts
Click here to see the article
Martha Graham Dance Company, April 2019
"Lights flash on and off, showcasing the women in a change of mood, motion, and motif... Karen Young's costumes and Yi-Chung Chen's lighting were exquisite."
Dr. Roberta E. Zlokower - Roberta on the Arts
Click here to see the article
Your Invisible Corset
Hunger & Thirst Theatre, October 2018
"The compelling story, direction, and performances are supported by an eerie and effective design, with a haunting soundscape by Randall Benichak and dramatic lighting by Yi-Chung Chen that signal the shifts of scenes from Mina's dark and bloody recollections to her well-lit room in the hospital."
Deb Miller - DC Metro Theater Arts
Click here to see the article
"Additionally, the marriage of Yi-Chung Chen's lighting and Randall Benichak's sound designs are both hypnotic and unnerving, ever dancing across the line between reality and nightmare."
Zelda Knapp - A work unfinishing
Click here to see the article
"Your Invisible Corset thrusts us into world with jarring speed and rapid scenic shifts, embellished by lighting designer Yi-Chung Chen's ominous reds, dreamlike washes, and dramatic strobes and blackouts.
Emily Cordes - Theatre Is Easy
Click here to see the article
"It is not easy to pull off horror onstage, but this production, aided by effective lighting and sound design, succeeds in maintaining an atmosphere of tension and intensity, as well as, significantly, in having the audience experience some of same sense of disorientation that Mina is feeling.
Leah Richards & John Ziegler - Culture Catch
Click here to see the article
"The sound, lighting, and set design of Your Invisible Corset are all simple and sharp yet astonishingly effective. As a result, the intimate space of the Flamboyan Theatre has never looked better or more utilized."
Jed Ryan - Lavender After Dark media
Click here to see the article
"The compelling story, direction, and performances are supported by an eerie and effective design, with a haunting soundscape by Randall Benichak and dramatic lighting by Yi-Chung Chen that signal the shifts of scenes from Mina's dark and bloody recollections to her well-lit room in the hospital."
Deb Miller - DC Metro Theater Arts
Click here to see the article
"Additionally, the marriage of Yi-Chung Chen's lighting and Randall Benichak's sound designs are both hypnotic and unnerving, ever dancing across the line between reality and nightmare."
Zelda Knapp - A work unfinishing
Click here to see the article
"Your Invisible Corset thrusts us into world with jarring speed and rapid scenic shifts, embellished by lighting designer Yi-Chung Chen's ominous reds, dreamlike washes, and dramatic strobes and blackouts.
Emily Cordes - Theatre Is Easy
Click here to see the article
"It is not easy to pull off horror onstage, but this production, aided by effective lighting and sound design, succeeds in maintaining an atmosphere of tension and intensity, as well as, significantly, in having the audience experience some of same sense of disorientation that Mina is feeling.
Leah Richards & John Ziegler - Culture Catch
Click here to see the article
"The sound, lighting, and set design of Your Invisible Corset are all simple and sharp yet astonishingly effective. As a result, the intimate space of the Flamboyan Theatre has never looked better or more utilized."
Jed Ryan - Lavender After Dark media
Click here to see the article
Life Is But a Dream
Spicy Witch Productions, April 2018
"Yi-Chung Chen's lighting design helps with the central themes about dreams."
Michael Block - Theater in the Now
Click here to see the article
"Yi-Chung Chen's lighting design helps with the central themes about dreams."
Michael Block - Theater in the Now
Click here to see the article
Histoire
Choreographed by Lucinda Childs
Martha Graham Dance Company, April 2018
"The score - imaginatively featuring the harpsichord - and the fine lighting accentuate the airy sense of happiness."
Oberon - Oberon's Grove
Click here to see the article
Martha Graham Dance Company, April 2018
"The score - imaginatively featuring the harpsichord - and the fine lighting accentuate the airy sense of happiness."
Oberon - Oberon's Grove
Click here to see the article
Ripcord
Shadowland Stages, September 2017
"It's a journey augmented by the less-is-more, action-packed staging of director Brendan Burke, which includes such imaginative touches (by set designer Joah Christensen and lighting designer Yi-Chung Chen) as using a shimmering white curtain and dim and bright lighting to modulate moods and scenes."
Steve Israel - Times Herald-Record
Click here to see the article
"Ripcord is a visual delight with an impressive set by Josh Christensen, lighting by Yi-Chung Chen, and costumes by Eleanor Wolfe and Holly Lewis Budd."
Carol Montana - Sullivan County Democrat
"It's a journey augmented by the less-is-more, action-packed staging of director Brendan Burke, which includes such imaginative touches (by set designer Joah Christensen and lighting designer Yi-Chung Chen) as using a shimmering white curtain and dim and bright lighting to modulate moods and scenes."
Steve Israel - Times Herald-Record
Click here to see the article
"Ripcord is a visual delight with an impressive set by Josh Christensen, lighting by Yi-Chung Chen, and costumes by Eleanor Wolfe and Holly Lewis Budd."
Carol Montana - Sullivan County Democrat
New York Lounge Interview
紐約會客室
The Blind
The Living Theatre, April 2017
"... under Yi-Chung Chen's dreamlike lighting."
Ran Xia - Theatre Is Easy
Click here to see the article
"... under Yi-Chung Chen's dreamlike lighting."
Ran Xia - Theatre Is Easy
Click here to see the article
Cliff
Hazard Rep
The New York International Fringe Festival, August 2015
"Yi-Chung Chen successfully crafts environments that flow from a stormy night, to a calm yet foreboding morning."
Keith Paul Medelis - Theatre Is Easy
Click here to see the article
The New York International Fringe Festival, August 2015
"Yi-Chung Chen successfully crafts environments that flow from a stormy night, to a calm yet foreboding morning."
Keith Paul Medelis - Theatre Is Easy
Click here to see the article
Behind the Mask
Yangtze Repertory Theatre of America, June 2015
"... a gorgeous lighting design by Yi-Chung Chen, signifies the transition between the two story lines."
Heather Chamberlain - Stage Buddy Review
Click here to see the article
"... a gorgeous lighting design by Yi-Chung Chen, signifies the transition between the two story lines."
Heather Chamberlain - Stage Buddy Review
Click here to see the article
I Am A Moon
The New York International Fringe Festival, August 2013
"... Yi-Chung Chen's lighting design is crisp."
Cory Conley - nytheatre.com
Click here to see the article
"... Yi-Chung Chen's lighting design is crisp."
Cory Conley - nytheatre.com
Click here to see the article
The Chautauquan Daily Interview
Chautauqua Theater Company, August 2012
Click here to see the article
Click here to see the article
Dialogues of the Carmelites
BU Opera Institute, April 2012
"... the evocative lighting by Yi-Chung Chen."
Thomas Garvey - The Hub Review
Click here to see the article
"... the evocative lighting by Yi-Chung Chen."
Thomas Garvey - The Hub Review
Click here to see the article
